“Getting” yourself to write

fairestcat:

epeeblade:

wrex-writes:

Yesterday, I was trawling iTunes for a decent podcast about writing. After a while, I gave up, because 90% of them talked incessantly about “self-discipline,” “making writing a habit,” “getting your butt in the chair,” “getting yourself to write.” To me, that’s six flavors of fucked up.

Okay, yes—I see why we might want to “make writing a habit.” If we want to finish anything, we’ll have to write at least semi-regularly. In practical terms, I get it.

But maybe before we force our butts into chairs, we should ask why it’s so hard to “get” ourselves to write. We aren’t deranged; our brains say “I don’t want to do this” for a reason. We should take that reason seriously.

Most of us resist writing because it hurts and it’s hard. Well, you say, writing isn’t supposed to be easy—but there’s hard, and then there’s hard. For many of us, sitting down to write feels like being asked to solve a problem that is both urgent and unsolvable—“I have to, but it’s impossible, but I have to, but it’s impossible.” It feels fucking awful, so naturally we avoid it.

We can’t “make writing a habit,” then, until we make it less painful. Something we don’t just “get” ourselves to do.

The “make writing a habit” people are trying to do that, in their way. If you do something regularly, the theory goes, you stop dreading it with such special intensity because it just becomes a thing you do. But my god, if you’re still in that “dreading it” phase and someone tells you to “make writing a habit,” that sounds horrible.

So many of us already dismiss our own pain constantly. If we turn writing into another occasion for mute suffering, for numb and joyless endurance, we 1) will not write more, and 2) should not write more, because we should not intentionally hurt ourselves.

Seriously. If you want to write more, don’t ask, “how can I make myself write?” Ask, “why is writing so painful for me and how can I ease that pain?” Show some compassion for yourself. Forgive yourself for not being the person you wish you were and treat the person you are with some basic decency. Give yourself a fucking break for avoiding a thing that makes you feel awful.

Daniel José Older, in my favorite article on writing ever, has this to say to the people who admonish writers to write every day:

Here’s what stops more people from writing than anything else: shame. That creeping, nagging sense of ‘should be,’ ‘should have been,’ and ‘if only I had…’ Shame lives in the body, it clenches our muscles when we sit at the keyboard, takes up valuable mental space with useless, repetitive conversations. Shame, and the resulting paralysis, are what happen when the whole world drills into you that you should be writing every day and you’re not.

The antidote, he says, is to treat yourself kindly:

For me, writing always begins with self-forgiveness. I don’t sit down and rush headlong into the blank page. I make coffee. I put on a song I like. I drink the coffee, listen to the song. I don’t write. Beginning with forgiveness revolutionizes the writing process, returns its being to a journey of creativity rather than an exercise in self-flagellation. I forgive myself for not sitting down to write sooner, for taking yesterday off, for living my life. That shame? I release it. My body unclenches; a new lightness takes over once that burden has floated off. There is room, now, for story, idea, life.

Writing has the potential to bring us so much joy. Why else would we want to do it? But first we’ve got to unlearn the pain and dread and anxiety and shame attached to writing—not just so we can write more, but for our own sakes! Forget “making writing a habit”—how about “being less miserable”? That’s a worthy goal too!

Luckily, there are ways to do this. But before I get into them, please absorb this lesson: if you want to write, start by valuing your own well-being. Start by forgiving yourself. And listen to yourself when something hurts.

Next post: freewriting

Ask me a question or send me feedback! Podcast recommendations welcome…

I need to read this again and again and again

Show some compassion for yourself. Forgive yourself for not being the person you wish you were and treat the person you are with some basic decency. Give yourself a fucking break for avoiding a thing that makes you feel awful.

Honestly, “Forgive yourself for not being the person you wish you were and treat the person you are with some basic decency,” is one of the most powerful things I’ve ever read.

This also makes me think of The Pervocracy’s “little rat” post (it seems like the original blog is now gone, but there’s a reblog here) – the gist of which is basically that when we react to finally doing something we’ve been meaning to get done by beating up on ourselves for not doing it earlier (we sit down to write and feel swamped by shame because it’s been a long time, for example), we’re inadvertently teaching our brains to associate doing a positive thing with pain.  And so our brains will shove us away from that thing even harder because we’ve learned that it hurts.  We can disrupt that cycle by stepping back, noticing how we’re talking to ourselves, and being compassionate to ourselves instead.

curlicuecal:

trilllizard666:

augustdementhe:

funereal-disease:

Thesis: the rise of fanwank and anti culture correlates directly with diminished understanding of what “romantic”, in a literary sense, actually means.

It doesn’t mean “this is ideal or healthy or even realistic”. It means “this is beautiful, this is tragic, this is grotesque, this stirs emotion”, even if it’s not, as @starryroom puts it, something you would be comfortable seeing play out in front of you at Taco Bell. It’s about grandiosity and mythology and heroism writ large. It’s about playing with the id, as beautiful and terrible as it can be. 

LET LOVE AND LUST BE MONSTROUS.

that’s why Wuthering Heights is STILL a romance

I’m reminded of a piece of advice I saw recently–

people like characters that have goals
people LOVE characters that have obsessions

tavalya-ra:

neoyi:

saxifraga-x-urbium:

planning your stupid shit-ass fucking novel:

  • you can know the ending or the beginning but if you know both then you will never ever sort the middle out
  • why do i need more characters can’t this plot resolve itself without me introducing more characters
  • i am going to kill literally everyone in this chapter here and then i can just ride the trauma wave through to the next act
  • there isn’t room for the romantic subplot
  • there isn’t room for this subplot either
  • this was meant to be a minor point why is it taking over the entire second act
  • [research this] *never researches it*
  • stop obsessing about your framing device and sort out the plot holes
  • stop obsessing about the likely reaction of tumblr to individual characters and sort out the plot holes
  • fine just fucking live in a plot hole you piece of shit
  • is this the same team dynamic as the last four books
  • yes
  • it’s my fucking novel i’ll write what i want
  • oh god what if no one likes it
  • stop writing imaginary reviews from people who hate you and sort out the plot holes
  • right i’ve sorted out the middle but now the ending doesn’t work

@tavalya-ra

I feel attacked.

If there’s one thing I wish I could say to all writers just starting out – well, okay, there are a few things, but one of the key ones is this:

The idea that certain formats and ways of storytelling are invalid is BULLSHIT.

There are no bad tenses!  Write in past tense, write in present tense, jump backwards and forwards in time, play with flashbacks and dreams and prophecy.  You can write in first person, second person, third person or a mix!  Hell, if you somehow manage to invent fourth-person pronouns and write a novel using only those, in future tense, I’ll read it!

There are no bad genres!  Romance, scifi, fantasy, science fantasy, horror, thriller, pulp, historical, contemporary, comical, historical-pastoral-comical – it’s all good.  (This one crops up as much from close-minded English lit teachers as from internet writing gurus, and I’m sick of it either way.)

You want to write an epistolary novel?  You do you.  You like stream-of-consciousness?  Have a party.  You want your prose mystery story to suddenly be written like the script of a Russian drama for about two and a half pages right in the middle?  Guess what – acclaimed author Dorothy L. Sayers did exactly that, and it was awesome.

Yes, there are certain words or phrases that seem to crop up more in fanfic than in published fiction, and yes, it can be fun to catalogue them and marvel at how language tends to develop these little pockets with their own vocabulary; but I hate when people turn around and act like just because something’s common in fanfic, that it’s wrong to have your character card their fingers through someone’s hair, or toe off their shoes, or pad across the room, or mewl in pleasure.  You don’t see the word “beverage” very often outside of a menu, but that doesn’t make it not a valid word.

It just burns me up to see so much advice basically fencing off huge swathes of creative territory for no good reason.  And experienced writers usually have enough understanding of the field and their own style to flip arbitrary restrictions the bird; it’s less experienced writers whom those restrictions really hurt, just at the point where they should feel like the world is their oyster and they shouldn’t be afraid of experimenting in their writing.

(And for the person reading this post going, “But I hate stories written in the second person!” – that’s fine.  You’re allowed!  You backbutton away from those stories to your heart’s content!  But personal preference =/= The Way Literature Should Be, and let’s none of us lose sight of that.)

My very favorite trope though

emilysidhe:

jupiter235:

why-bless-your-heart:

storybook-souls:

why-bless-your-heart:

When characters A and B are facing some danger and character A puts out an arm to protect character B

Good variations:

-Character B doesn’t realize the danger until character A puts out his or her arm
-Character A isn’t the larger or stronger character but still takes responsibility for character B’s safety
-Character A doesn’t stand a chance against the danger
-Character A continues talking like there isn’t anything wrong while standing between character B and the threat
-Character A doesn’t get along with character B and/or vice versa
-The danger is comically minor
-Character A has seemed helpless or bumbling but is now revealing inner depths and hidden strength

other good variations:

-character B is injured

-character A is injured but trying to be protective anyway

-character B gets annoyed when they realize what character A is doing

Ron Weasley, half collapsed and white with pain from an untreated freshly broken leg, telling someone he thinks is a murderer that he’ll have to go through him to get to Harry

noirandchocolate:

“Why does the third of the three brothers, who shares his food with the old woman in the wood, go on to become king of the country? Why does James Bond manage to disarm the nuclear bomb a few seconds before it goes off rather than, as it were, a few seconds afterwards? Because a universe where that did not happen would be a dark and hostile place. Let there be goblin hordes, let there be terrible environmental threats, let there be giant mutated slugs if you really must, but let there also be hope. It may be a grim, thin hope, an Arthurian sword at sunset, but let us know that we do not live in vain.”

— Terry Pratchett, “Let There Be Dragons” (A Slip of the Keyboard)

Write Your Story

naamahdarling:

eeyore9990:

I just showed my 11-year-old son how many coffee shop AUs there are on AO3.

Why?

He sat down the other day to write a Minecraft story about three kids who go through a portal in their back yard and end up in the world of Minecraft where they have to battle all the big bosses (I didn’t even realize there WERE big bosses in Minecraft but that’s beside the point). He wrote three chapters with a little input from me – his first beta – and y’all?

He was fucking excited. To be writing a story.

Today he came home from school and seemed a little down, so I asked him about it only to find out that some little asshole at his school told him, “There is already a Minecraft story.”

Me: Okay? So what?

Lucifer: If there’s already a story, no one will read mine.

Immediately, I dragged him in and pulled up my AO3 account. My boys know I write fanfiction, so I showed him my account and how many subscribers I have. Then I showed him how many Teen Wolf stories there are. And then, because it seemed like the perfect analogy, I said, “What if I wrote a story where two characters meet in a coffee shop and fall in love? No werewolves, nothing at all to do with the actual Teen Wolf universe. Just Stiles and Derek meet in a coffeeshop and fall in love.”

He laughed.

I showed him Mornings Aren’t For Everyone. Showed him how many hits it had, how many kudos, how many lovely comments.

Then I said, “So do you think, if anyone else wrote a story about those exact same characters meeting in a coffee shop and falling in love… would anyone read it?”

He laughed and said, “No because you already did.”

So I clicked on the Sterek tag and refined to coffee shop AU. His mind was blown to see that they ALL had thousands of hits and kudos and comments. Then I clicked on JUST the coffee shop AU tag and showed him all the fics across all the fandoms written by countless different people.

I’m going to tell you all now what I told him because it applies to everyone.

Write your story. It doesn’t matter that someone else has written a story about that subject. They didn’t write YOUR story. Only you can do that.

And I want to read your story.

Holy crap, this is A+ parenting and such a good lesson.